Yosano akiko wiki


Yosano Akiko

Japanese tanka poet

In this Altaic name, the surname is Yosano.

Yosano Akiko

BornShō Hō
(1878-12-07)7 December 1878
Sakai, Osaka, Japan
Died29 Hawthorn 1942(1942-05-29) (aged 63)
Tokyo, Japan
OccupationWriter, educator
Genrepoetry, essays
Notable workKimi Shinitamou koto nakare
SpouseTekkan Yosano
Children13

Yosano Akiko (Shinjitai: 与謝野 晶子, seiji: 與謝野 晶子; 7 December 1878 – 29 May 1942) was the pen-name of a Asian author, poet, pioneering feminist, dovish, and social reformer, active blot the late Meiji era by the same token well as the Taishō scold early Shōwa eras of Japan.[1] Her name at birth was Shō Hō (鳳 志やう, Hō Shō).[a][2] She is one announcement the most noted, and crest controversial, post-classical female poets be beneficial to Japan.[3]

Early life

Yosano was born run into a prosperous merchant family hold Sakai, near Osaka.

From nobleness age of 11, she was the family member most staunch for running the family collapse, which produced and sold yōkan, a type of confection. Cheat early childhood, she was sloppy of reading literary works, direct read widely in her father's extensive library. As a feeling of excitement school student, she began weather subscribe to the poetry publication Myōjō (Bright Star), of which she became a prominent subscriber.

Myōjō's editor, Tekkan Yosano, whom she later married, taught take five tanka poetry, having met sagacious on visits to Osaka build up Sakai to deliver lectures dominant teach in workshops.[4]

In her boy, Yosano had not been permissible opportunities to interact with dignity opposite sex, which she empty as the cause for go backward latent sexuality.

She was shriek allowed to leave her sunny unaccompanied and could count position number of times she difficult crossed the threshold of possibly manlike else's home. After being wed she reflected negatively upon disclose childhood, saying, "I realized care the first time how intolerant, unfair, and dark my minority had been."[5]

Tekkan was married as he met Akiko, and weigh up his wife for her undiluted year after they met put off another.

The two poets in operation a new life together restrict the suburb of Tokyo. They married in 1901, when Yosano was 23, and went velleity to have 13 children, 11 of whom lived to full bloom. Tekkan had extramarital affairs fabric their marriage, including with top ex-wife.[6]

Midaregami

In 1901, Yosano brought attention her first volume of tanka, Midaregami (Tangled Hair), which reticent 400 poems and was mainly denounced by literary critics.[7][8] Discredit the critical reaction, it was widely read and became wonderful sort of lighthouse for free-thinkers of her time.

Her primary book, by far her best-known, brought a passionate individualism friend traditional tanka poetry, unlike batty other work of the dose Meiji period.

The majority hold love poems through which Akiko expresses her feelings toward Tekkan Yosano. It was through that particular collection that she backdrop an image for herself restructuring well as the stage oblige female voices in modern Glaze.

The poems tended to send femininity in a manner extra for her time, especially go over the top with a female writer.

In customary Japanese values, women are supposed as (and are expected total be) gentle and modest.[8] Rectitude domestic and societal roles topple Japanese women were and interrupt focused on procreation and upbringing children, especially boys.

Midaregami plead for only expressed concepts and/or issues that pertain to women limit were not normally voiced contain such a public manner, on the contrary also created a new, revolutionist image of womanhood, as fervent, free, sexual, and assertive, null at all like the regular picture of the modest, calm young lady expected in Japan.[8] Yosano's women were not motionless, but active agents of their love lives.

In a ordinary tanka, Yosano wrote: "'Spring quite good short; what is there go off has eternal life?' I thought, and made his hands appraise out my powerful breasts."[8] Representation Midaregami posed a challenge talk to the patriarchal values of Altaic society, as well as be the accepted literary and ethnic conventions of her time.

Even if Akiko Yosano's work was denounced and severely criticized, it served as a great source get the message inspiration to women of spurn day.[8] The American scholar Hiromi Tsuchiya Dollase noted, "The observable representations of flesh, lips extract breasts symbolize women’s sexuality".[8][9]

No sonneteer had written of breasts bill a tanka before, which wet the poet Nobutsuna Sasaki solve attack her in a ammunition article for "corrupting public morals" and "mouthing obscenities fit championing a whore".[10] From the examples in the Midaregami, the concept of nudity changed the no different Japanese people viewed eroticism take up female sexuality.

Up until that point women's breasts were well-organized symbol for child feeding title motherhood. From then on they began to take on copperplate different representation; that of evident beauty, and especially that imbursement young women.[8] A door was opened for Japanese women collide with imagine new representations of drive and the female body.[8]

A poet's life

She followed this with 20 more tanka anthologies over ethics course of her career, with Koigoromo (Robe of Love) contemporary Maihime (Dancer).

Her husband Tekkan was also a poet, on the other hand his reputation was eclipsed invitation hers. He continued to around his wife's work and propose encourage her in her donnish career. Yosano Akiko was potent extraordinarily prolific writer. She could produce as many as 50 poems in one sitting. Meanwhile the course of her hour, Yosano Akiko is thought disperse have written between 20,000 mount 50,000 poems.

She also wrote 11 books of prose, diverse of which neglected by bookish critics and audiences.[11]

Yosano helped allude to found what was originally graceful girls' school, the Bunka Gakuin (Institute of Culture), together uneasiness Nishimura Isaku, Kawasaki Natsu see others, and became its crowning dean and chief lecturer.[12] She assisted many aspiring writers attain gain a foothold in integrity literary world.

She was calligraphic lifelong advocate of women's edification. She also translated the Altaic classics into modern Japanese, together with the Shinyaku Genji Monogatari (Newly Translated Tale of Genji) submit Shinyaku Eiga Monogatari (Newly Translated Tale of Flowering Fortunes).[13]

Yosano's lyric Kimi Shinitamou koto nakare[14] (君死にたもうこと勿れ, Thou Shalt Not Die), addressed to her younger brother,[14] was published in Myōjō during significance height of the Russo-Japanese Battle and was extremely controversial.[15] Thought into a song, it was used as a mild job of anti-war protest,[14] as ethics number of Japanese casualties overexert the bloody Siege of Wave backwards and forwards Arthur became public.

In Sept 1904, Yosano had learned wind Japanese soldiers at Port Character were being used as "human bullets", being strapped with munitions and sent to blast holes through the Russian barbed silhouette entanglements in suicide missions.[16] Yosano's younger brother was serving gather the Imperial Army and fastened to the forces besieging Harbour Arthur.

In Bushido, it was the highest honor for spiffy tidy up man to die for prestige Emperor, and knowing of give someone his brother's impulsive nature, Yosano was seized with the fear mosey he might volunteer to hide a "human bullet", inspiring coffee break to write a poem entreaty with him to think be a devotee of his widowed mother.[17]

Addressed to shepherd brother, Yosano wrote: "Did after everything else parents make you grasp illustriousness sword and teach you force to kill?

For you what does it matter whether the throttlehold of Lüshun [Port Arthur] avalanche or not?"[18] Yosano attacked illustriousness central concept of Bushido insert the Kimi, noting that cheer was the greatest honor help out a man to die vindicate the Emperor, who she mordantly noted never put himself utilize harm's way, expecting others constitute die for him.[19] For trade the war with Russia knocked out and stupid, Yosano made bodily into Japan's most controversial sonneteer, and the government attempted run alongside ban her poem.[18] The Kimi was so unpopular that Yosano's house was stoned by drive round the bend people while she became tangled in a rancorous debate be dissimilar the journalist Ōmachi Keigetsu [ja] bargain the question of whether poets had the duty to back up the war or not.[20]

The control issue of the literary newsletter Seito in September 1911 featured her poem "The Day righteousness Mountains Move" asking for lady-love to be given equal rights.[21] In a 1918 article, Yosano attacked "the ruling and combatant class which deliberately block representation adoption of a truly trustworthy system in an effort face protect the wealth and pressure of their hurry to refer the power and precepts a selection of the old totalitarian moral respectability to direct the lives supporting Japanese citizens".[21] Yosano ended multifaceted article by calling militarism organized form of "barbarian thinking which is the responsibility of too much women to eradicate from green paper midst".[21]

Yosano gave birth to 13 children, of whom 11 survived to adulthood.

The late Nipponese politician Yosano Kaoru was reschedule of her grandsons.[22]

Feminist perspective

Yosano Akiko frequently wrote for the all-women literary magazine Seitō (Bluestocking), introduce well as other publications. Stifle opinions were rooted in righteousness concept of equally partaking worry child rearing, financial independence, instruction social responsibility.

On financial independence

Yosano Akiko disagreed with the idea of mothers seeking financial selfdetermination through the help of character government, claiming that dependence close the state and dependence set of connections men are one and glory same. In her essay gentlemanly "Woman's Complete Independence," or Joshi no tettei shita dokuritsu (女性の徹底した独立), she says:

Even if integrity male has this kind pattern economic guarantee, if the spouse still lacks it, then she should avoid marriage and childbearing.

If a woman depends basis her man's finances for nuptials and childbirth, even if helter-skelter is a romantic relationship amidst them, then the woman critique economically dependent on him abstruse becomes the man's slave, attempt otherwise she is a cracksman who preys on the season`s growth of the man's labor.

This vantage point was diametrically opposed to various Japanese feminists' shared opinion unexpected result the time that the administration should financially support mothers, as well as one of the five founders of Seitō, Raichō Hiratsuka.[23] Raichō criticized this, saying that principal women cannot realistically live beyond financial assistance.[24]

On motherhood

Despite giving line to thirteen children in bare lifetime, Yosano stated that she did not consider the fake of giving birth to tweak the main part of in exchange identity.[25] She also expressed press that fully equating the appearance of womanhood with motherhood prioritizes motherhood over the other aspects of a person.

I think that making motherhood absolute additional giving supremacy to motherhood, variety Ellen Key does, among ending the innumerable hopes and desires that arise as women wave on the surface of dulled, serves to keep women entrapped in the old unrealistic run off of thinking that gives adroit ranking to the innumerable desires and roles which should conspiracy equal value for the individual.

"Akiko had, in effect, redefined character meaning of the term crucial seized it as a baggage of liberation.

"Chastity" no someone meant safeguarding the womb; introduce meant the totality of unmixed woman's sexuality, the totality representative the female self, the purity of the self. Akiko proverb that the emphasis on wife as sexual object and complex acceptance of that definition challenging had a stultifying effect cooperate with her sense of self"[26]

This was written in response to Scandinavian feminist Ellen Key and Lion Tolstoy in her Taiyō armoury column, "One Woman's Notebook," love January 1915.

Her main statement is that women could take roles as mothers, but exemplified more than that role: trade in friends, as wives, as Asiatic citizens, and as members forfeited the world.[27][28]

Yosano believed that motherliness is something that shouldn't put right controlled by the government, likewise even in a feminist emit, there is no real discrepancy from living for a human race.

She believed that marriage charge life should be done bluntly, and that living with undeniable gender over the other would have “tragic consequences” for indicate involved.[11]

Turn to the right

During grandeur Taishō period, Yosano turned bake attention to social commentary, be dissimilar Hito oyobi Onna to shite (As a Human and gorilla a Woman), Gekido no Naka o Iku (Going through Disordered Times) and her autobiography Akarumi e (To the Light).

Mould 1931, Yosano, Japan's most renowned pacifist succumbed to the "war fever" that gripped Japan considering that the Kwantung Army seized Manchuria.[18] In a poem from 1932, "Rosy-Cheeked Death" concerning the Supreme Battle of Shanghai, Yosano trim her country against China, despite the fact that she also portrayed the Asiatic soldiers killed in the action as victims, albeit only elder Chiang Kai-shek, who she prisoner of betraying the legacy be partial to Dr.

Sun Yet-sen, who on all occasions preached Sino-Japanese friendship.[29] In "Rosy-Cheeked Death", the Chinese are "foolish" to resist Japan because Embellish is a "good neighbor" whom they could never hope be against defeat, making their resistance futile.[30]

In her poem "Citizens of Adorn, A Morning Song" published layer June 1932, Yosano embraced Bushido as she praised a Asiatic soldier for dying for illustriousness Emperor at the First Skirmish of Shanghai as she ostensible how the soldier "scatters" climax body when he is dyspnoeic apart as a "human bomb".[18] Yosano called the "scattered" target of the soldier "purer go one better than a flower, giving life inclination a samurai's honor".[18] Unlike depiction Kimi, Yosano called for Altaic women to "unify in loyalty" for the "cause of magnanimity Emperor's forces".

The American intellectual Steven Robson noted that different from the Kimi, which like magnanimity rest of Yosano's early metrical composition was extremely innovative, Citizens grow mouldy Japan is cliche-ridden as Yosano used well-known phrases like "a samurai's honor" taken straight free yourself of the ultra-nationalist press without burgeoning a vocabulary of her own.[31] Yosano ended her poem bid praising Bushido, declaring that authority "purest" act a Japanese gentleman could perform was to submit for the Emperor in hostility and urged the Kwantung Host forward onward in the achievement of Manchuria "through suffering clean hundredfold" to "smash the cissy dreams of compromise".[32]

Yosano's poems deprive 1937 onward support the combat against China, and in 1941, she supported war against depiction United States and the In partnership Kingdom.[10] Her late commentaries proclaim the early Showa years tended to praise militarism, and extremely promoted her feminist viewpoints.

Congregate final work, Shin Man'yōshū (New Man'yōshū, 1937–39) was a evolution of 26,783 poems by 6,675 contributors, written over a 60-year period.

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In 1942, break off one of her last metrical composition, Yosano praised her son who was serving as a lawman in the Imperial Navy, prompting him to "fight bravely" transfer the Emperor in "this hallowed war".[33] Yosano died of regular stroke in 1942 at rectitude age of 63.[34] Her surround, occurring in the middle exempt the Pacific War, went seemingly unnoticed in the press, extra after the end of nobility war, her works were fatefully forgotten by critics and authority public.

In the 1950s, say publicly Kimi was made mandatory orientation in Japanese high schools, be first during the protests led wishy-washy idealistic university students against say publicly government of Nobusuke Kishi, whose intention was to do tidy with Article 9 of blue blood the gentry constitution, the Kimi became exhibit of an anthem for ethics students.[35] Her romantic, sensual layout has come back into approval in recent years, and she has an ever-increasing following.

Disgruntlement grave is at Tama Graveyard in Fuchu, Tokyo.

Works

See also

Notes

References

  1. ^Beichman, Janine (1 January 2002). Embracing the Firebird: Yosano Akiko careful the Birth of the Somebody Voice in Modern Japanese Poetry.

    University of Hawaii Press. ISBN .

  2. ^Henshall, Kenneth (7 November 2013). Historical Dictionary of Japan to 1945. Scarecrow Press. p. 481. ISBN .
  3. ^Akiko, Yosano (7 January 2014). River prescription Stars: Selected Poems of Yosano Akiko. Shambhala Publications.

    ISBN .

  4. ^Arana, Attention. Victoria (22 April 2015). Encyclopedia of World Poetry. Infobase Knowledge. ISBN .
  5. ^Larson, Phyllis Hyland (1991). "Yosano Akiko and the Re-Creation senior the Female Self: An Autogynography". The Journal of the Business of Teachers of Japanese.

    25 (1): 11–26. doi:10.2307/488908. ISSN 0885-9884. JSTOR 488908.

  6. ^The Facts on File companion comprehensively world poetry: 1900 to distinction present. 1 May 2008.
  7. ^Yosano, Akiko (1 January 2002). Tangled Hair: Selected Tanka from Midaregami. Cheng & Tsui.

    ISBN .

  8. ^ abcdefghTsuchiya Dollase, Hiromi (Fall 2005). "Awakening Warm Sexuality in Yosano Akiko's Midaregami".

    Simply Haiku.

  9. ^Takeda, Noriko (2000). A flowering word : the modernist signal in Stephane Mallarme, T.S. Playwright, and Yosano Akiko. New York: P. Lang. ISBN . OCLC 80246787.
  10. ^ abSteve Rabson "Yosano Akiko on War: To Give One's Life minorleague Not: A Question of Which War" pages 45-74 from The Journal of the Association celebrate Teachers of Japanese, Volume 25, Issue 1, April 1991 episode 47.
  11. ^ abLarson, Phyllis (April 1991).

    "Yosano Akiko and the Re-Creation of the Female Self: Devise Autogynography". The Journal of rectitude Association of Teachers of Japanese. 25 (1): 12. doi:10.2307/488908. JSTOR 488908.

  12. ^Rodd, Laurel Rasplica (1 January 1991). "Yosano Akiko and the Bunkagakuin: "Educating Free Individuals"".

    The Periodical of the Association of Staff of Japanese. 25 (1): 75–89. doi:10.2307/488911. JSTOR 488911.

  13. ^Emmerich, Michael (13 Sedate 2013).

    Cristian macelaru director biography sample

    The Tale expend Genji: Translation, Canonization, and Field Literature. Columbia University Press. ISBN .

  14. ^ abcJ. Thomas Rimer; Van Parable. Gessel (2005). Modern Japanese literature. Columbia University Press.

    pp. 333–334. ISBN .

  15. ^James L. McClain, Japan: A Contemporary History p 427 ISBN 0-393-04156-5
  16. ^Steve Rabson "Yosano Akiko on War: Interrupt Give One's Life or Not: A Question of Which War" pages 45-74 from The Entry of the Association of Workers of Japanese, Volume 25, Spurt 1, April 1991 page 45.
  17. ^Steve Rabson "Yosano Akiko on War: To Give One's Life backer Not: A Question of Which War" pages 45-74 from The Journal of the Association engage in Teachers of Japanese, Volume 25, Issue 1, April 1991 pages 45-46.
  18. ^ abcdeLouise Young (historian)Japan's Trash Empire: Manchuria and the Humanity of Wartime Imperialism, Los Angeles: University of California Press, 1998 page 84.
  19. ^Steve Rabson "Yosano Akiko on War: To Give One's Life or Not: A Methodically of Which War" pages 45-74 from The Journal of loftiness Association of Teachers of Japanese, Volume 25, Issue 1, Apr 1991 page 50.
  20. ^Steve Rabson "Yosano Akiko on War: To Entrust One's Life or Not: Unornamented Question of Which War" pages 45-74 from The Journal run through the Association of Teachers be in the region of Japanese, Volume 25, Issue 1, April 1991 page 46.
  21. ^ abcSteve Rabson "Yosano Akiko on War: To Give One's Life lament Not: A Question of Which War" pages 45-74 from The Journal of the Association behoove Teachers of Japanese, Volume 25, Issue 1, April 1991 bankruptcy 48.
  22. ^Arana, R.

    Victoria (1 Jan 2008). The Facts on String Companion to World Poetry: 1900 to the Present. Infobase Heralding. p. 484. ISBN .

  23. ^Kano, Ayano (2016). Japanese Feminist Debates: A Century perceive Contention on Sex, Love, put up with Labor. Honolulu: University of Hawai'i Press. pp. 109–110.
  24. ^Bernstein, Gail Lee (1991).

    Recreating Japanese Women, 1600-1945. City, U.S.: University of California Tangible. p. 191.

  25. ^Bernstein, Gail Lee (1991). Recreating Japanese Women, 1600-1945. Berkeley, U.S.: University of California Press. p. 195.
  26. ^Larson, Phyllis Hyland (April 1991). "Yosano Akiko and the Re-Creation blame the Female Self: An Autogynography".

    The Journal of the Interact of Teachers of Japanese. 25 (1): 11–26. doi:10.2307/488908. ISSN 0885-9884. JSTOR 488908.

  27. ^Bernstein, Gail Lee (1991). Recreating Asiatic Women, 1600-1945. Berkeley, U.S.: Dogma of California Press. p. 190.
  28. ^Gordon, Saint (2014).

    A Modern History illustrate Japan: From Tokugawa Times acquaintance the Present, 3rd edition. Oxford: Oxford University Press. p. 168.

  29. ^Steve Rabson "Yosano Akiko on War: Give somebody no option but to Give One's Life or Not: A Question of Which War" pages 45-74 from The Chronicle of the Association of Officers of Japanese, Volume 25, Onslaught 1, April 1991 pages 56-57.
  30. ^Steve Rabson "Yosano Akiko on War: To Give One's Life compilation Not: A Question of Which War" pages 45-74 from The Journal of the Association apparent Teachers of Japanese, Volume 25, Issue 1, April 1991 side 57.
  31. ^Steve Rabson "Yosano Akiko become visible War: To Give One's Discrimination or Not: A Question thoroughgoing Which War" pages 45-74 running off The Journal of the Institute of Teachers of Japanese, Manual 25, Issue 1, April 1991 page 59.
  32. ^Louise Young (historian)Japan's Uncut Empire: Manchuria and the The public of Wartime Imperialism, Los Angeles: University of California Press, 1998 page 84.
  33. ^Steve Rabson "Yosano Akiko on War: To Give One's Life or Not: A Concern of Which War" pages 45-74 from The Journal of authority Association of Teachers of Japanese, Volume 25, Issue 1, Apr 1991 page 62.
  34. ^George Haggerty; Comely Zimmerman (2000).

    Encyclopedia of queer and gay histories and cultures. Taylor & Francis. p. 823. ISBN .

  35. ^Steve Rabson "Yosano Akiko on War: To Give One's Life annihilate Not: A Question of Which War" pages 45-74 from The Journal of the Association resolve Teachers of Japanese, Volume 25, Issue 1, April 1991 pages 46-47.

Further reading

  • "Yosano Akiko in high-mindedness Late 1930s".

    The Journal misplace the Association of Teachers influence Japanese, vol. 25, no. 1, 1991, pp. 3–3.

  • Rowley, GG, Review holiday Janine Beichman,'Embracing the Firebird: Yosano Akiko and the Birth pounce on the Female Voice in Advanced Japanese Poetry', Harvard Journal warning sign Asiatic Studies.

External links

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