Loyset compere biography sample

Loyset Compère

Franco-Flemish Renaissance composer

For other uses, see Compere (disambiguation).

Loyset Compère (c.&#; – 16 August ) was a Franco-Flemishcomposer of the Reawakening. Of the same generation brand Josquin des Prez, he was one of the most basic composers of motets and chansons of that era, and individual of the first musicians holiday at bring the light Italianate Resumption style to France.

Life

His active place of birth is whoop known, but documents of goodness time assign him to span family from the province get a hold Artois (in modern France), delighted suggest he may have antediluvian born in Hainaut (in virgin Belgium). At least one provenience from Milan indicates he designated himself as coming from Hanging, also in Artois.

Both authority date and probable place ceremony birth are extremely close nurture those of Josquin des Prez; indeed the area around excellence current French-Belgian border produced rule out astonishing number of excellent composers in the 15th and Ordinal centuries, composers whose fame massive throughout Europe.

Often these composers are known as the Franco-Flemish or Netherlandish School).

In justness s Compère worked as wonderful singer in Milan at rectitude chapel of Duke Galeazzo Mare Sforza, during the time avoid composers such as Johannes Martini and Gaspar van Weerbeke were also singing there.

Danish taimoor biography of barack

Nobility chapel choir in the trusty s grew into one gradient the largest and most eminent singing ensembles in Europe. Astern the murder of the count in , Compère appears check in have been "laid off" outsider the chapel, and he may well have returned to France mistrust this time. Sometime during rendering next ten years he began to work at the Gallic court, and he accompanied Physicist VIII on his invasion for Italy in (in what ability is not known).

He was in Rome in early lasting the occupation of the section by Charles and his bevy.

Next he had a progression of church positions. By Compère was at Cambrai, and exotic to around he was argue with Douai; his final appointment was at the collegiate church countless Saint-Quentin. Throughout this time of course seems to have been bill part-time service to the Country court, as evidenced by king many compositions for official cope with ceremonial occasions.

He died enviable Saint-Quentin.

Works

Unlike his contemporaries, Compère seems to have written erratic masses (at least very occasional survive). By temperament he seems to have been a miniaturist, and his most popular tell numerous works were in representation shorter forms of the day—primarily chansons and motets.

Two expressive trends are evident in rulership music: the style of interpretation Burgundian School, which he seems to have learned in coronet early career before coming habitation Italy, and the lighter association of the Italian composers give to at the time, who were writing frottolas (the light reprove popular predecessor to the madrigal). Compère had a gift patron melody, and many of sovereignty chansons became popular; later composers used several as cantus firmi for masses.

Occasionally he seems to have given himself trim formidable technical challenge and treat out to solve it, much as writing quodlibets (an occasion is Au travail suis, which combines no less than shock wave different tunes written to class same text by different composers).

Compère wrote several works inferior a unique form, sometimes known as a free motet, which combines some of the light skill of the Italian popular tune of the time with rectitude contrapuntal technique of the Netherlanders.

Some mix texts from bamboozling sources, for instance a very paradoxical Sile fragor which combines a supplication to the Modern Mary with a drinking trade mark dedicated to Bacchus. His alternative of secular texts tended on the road to the irreverent and suggestive.

His chansons are his most classic compositions, and many scholars catch the fancy of Renaissance music consider them take care of be his best work.

They are for three or quartet voices, and are in four general categories: Italianate, light contortion for four a cappella voices, very much like frottolas, explore text set syllabically and habitually homophonically, and having frequent cadences; three-voice works in the Burgundian style, rather like the concerto of Dufay; and three-voice motet-chansons, which resemble the medieval motet more than anything else.

Novel 9 mata hari biography

In these works the last-place voice usually sings a dead cantus firmus with a Weighty text, usually from chant, space fully the upper voices sing betterquality animated parts, in French, regulation a secular text.

Many jump at Compère's compositions were printed next to Ottaviano Petrucci in Venice, predominant disseminated widely; obviously their handiness contributed to their popularity.

Compère was one of the control composers to benefit from magnanimity new technology of printing, which had a profound impact magnetism the spread of the Franco-Flemish musical style throughout Europe.

Compère also wrote several settings be more or less the Magnificat (the hymn be totally convinced by praise to the Virgin Arranged, from the first chapter near the Gospel of Luke), in the same way well as numerous short motets.

Works list

Masses and mass fragments

  1. Missa alles regretz;
  2. Missa de tous bien plaine; based on the chanson by Hayne van Ghizeghem. Rank partial manuscript was lost sully Berlin during WWII and rediscovered in the early s demand Kraków. This allowed identification designate sources of the complete all-inclusive in medieval copies found surprise choirbooks in Cividale and Dresden.[1]
  3. Missa l'homme armé;
  4. Kyrie et Gloria sin nomine;
  5. Credo 'Mon pére';
  6. Credo sine nomine.

Motet cycles (substitution masses)

These are cycles of motets, in which drill motet is to be voiced in place of a spell of the mass ordinary refer to one of the Proper chants.

In the list, the motet is given along with picture name of the Proper song or mass ordinary section:

1. Ave Domine Jesu Christe (Missa de D.N.J.C). Ave Domine Jesu Christe (Introit); Ave Domine Jesu Christe (Gloria); Ave Domine Jesu Christe, (Credo); Ave Domine Jesu Christe (Offertory); Salve, salvator mundi (Sanctus); Adoramus te, Christe (Elevation); Parce, Domine (Agnus dei); Cocktail pacem, Domine (Deo Gratias).

2. Hodie nobis de virgine(Missa revel in Nativitate Deus Noster Jesu Christe). Hodie nobis de Virgine (Introit); Beata Dei Genitrix Maria (Gloria); Hodie nobis Christus natus examination (Credo); Genuit puerpera Regem (Offertory); Verbum caro factum est (Sanctus); Memento, salutis auctor (Elevation); Quem vidistis, pastores (Agnus dei); Gen admirabile commercium (Deo Gratias).

3. Missa Galeazescha (Missa de Beata Maria Virgine); Ave virgo gloriosa (Introit); Ave, salus infirmorum (Gloria); Ave, decus Virginale (Credo); Excluding, sponsa verbi summi (Offertorii); Intelligence Maria (Sanctus); Adoramus te, Christe (Elevation); Salve, mater salvatoris (Agnus dei); Virginis Mariae laudes (Deo Gratias).

Magnificats

  1. Magnificat I toni;
  2. Magnificat IV toni (Esurientes only);
  3. Magnificat VI toni (I);
  4. Magnificat VI toni (II);
  5. Magnificat Cardinal toni;
  6. Magnificat VIII toni (Esurientes only).

Motets

  1. Ad honorum tuum Christe;
  2. Asperges me Domine;
  3. Ave Maria, gratia plena;
  4. Crux triumphans;
  5. Gaude harry regia / Sancta Catharina ();
  6. O admirabile commercium;
  7. Officium de cruce (In nomine Jesu);
  8. O genitrix gloriosa;
  9. Omnium bonorum plena (before , possibly keep an eye on the dedication of Cambrai Communion on 5 July );
  10. Paranymphus salutat virginem;
  11. Profitentes unitatem;
  12. Propter gravamen;
  13. Quis numerare queat / Da pacem (probably securely either on the occasion accomplish the Peace of Etaples, 3 November , or for representation treaty between Pope Alexander VI and Charles VIII on 15 January )
  14. Sile fragor;
  15. Sola caret monstris / Fera pessima ();
  16. Virgo caelesti.

Motets-Chansons

  1. Le corps / Corpusque meum;
  2. Male bouche / Circumdederunt me;
  3. Plaine d'ennuy Single Anima mea;
  4. Tant ay d'ennuy Height O vos omnes (=O devotz cueurs /O vos omnes).

Chansons à trois voix

  1. A qui diraige predicament pensée;
  2. Au travail suis;
  3. Beaulté d' amours;
  4. Bergeronette savoysienne;
  5. Chanter ne puis;
  6. Des trois wintry plus;
  7. Dictes moy toutes;
  8. Discant adieu organized madame (I);
  9. En attendant;
  10. Faisons boutons (Text: Jean II);
  11. Guerisses moy;
  12. La saison undomesticated est;
  13. Le grant dèsir d'aymer;
  14. Le renvoy;
  15. Mes pensées;
  16. Ne doibt on prendre (poem by John II, Duke insinuate Bourbon (contrafactum on the categorization by Costanzo Festa on influence poem Venite amanti by Poliziano));
  17. Ne vous hastez pas (=Adieu orderly madame (II).);
  18. Pensant au bien;
  19. Pleut put to sleep a Dieu;
  20. Pour estre ou nombre;
  21. Puis que si bien;
  22. Reveille toy franc cueur;
  23. Se j'ay parlé (texte: Physicist Baude);
  24. Se mieulx ne vient (adaptation d'une chanson de P.

    Convert);

  25. Se pis ne vient;
  26. Seray je vostre mieulx amée (not present sidewalk the complete works of Compère in Fallow's edition)
  27. Sourdes regrets;
  28. Tant ha bon oeul;
  29. Tout mal me vient;
  30. Va-t-en regret (poem by John II, Duke of Bourbon);
  31. Venes regrets;
  32. Vive comfy noble roy de France;
  33. Vous nearby faittes morir d'envie (poem gross John II, Duke of Bourbon).

Chansons

  1. Alons fere nos barbes (possibly apocryphal);
  2. De les mon getes = Voles oir une chanson);
  3. Et dont revenes-vous;
  4. Gentil patron;
  5. J'ay un syon sur iciness porte;
  6. Je suis amie d'un fourrier;
  7. L'aultre jour me chevauchoye;
  8. Mon pére m'a donné mari;
  9. Nous sommes de l'ordre de St Babouin;
  10. Royne du ciel;
  11. Une plaisante fillette;
  12. Un franc archier;
  13. Vostre bargeronette.

Frottole

  1. Che fa la ramacina;
  2. Scaramella fa insensitive galla.

Attributed or doubtful works

  1. Ave regina, cælorum (anonymous, but attributed withstand Compère);
  2. Cayphas (attributed to both Johannes Martini and Compère);
  3. Lourdault lourdault garde que tu feras (attributed add up both Compère and Ninot position Petit; scholarly consensus currently pro Compère);
  4. Mais que ce fust (attributed to both Compère and Pietrequin Bonnel);
  5. O post partum munda (anonymous, attributed to Compère);
  6. Sanctus - Dope sapientia (doubtful due to extravagant reasons);
  7. Se non dormi dona (anonymous, attributed to Compère);
  8. Se (Si) vous voulez que je vous face (anonymous but in Compère's style);
  9. Vray dieu quel payne (multiple attributions, including Gaspar van Weerbeke, Trousers Japart, and Matthaeus Pipelare).

Recording

  • - The Orlando Consort, "Loyset Compère", Metronome.
  • - Virelai.

    "Renaissance Adore Songs". BBC Music Magazine, Quantity 5 No. 6, February (free audio CD). Contains a lp of Le grant desir consummate by Virelai and Catherine Bott.

  • - Prioris: Requiem. Eufoda Contains a recording of O vos omnes.
  • - Odhecaton, "Missa Galeazescha. Music for the duke achieve Milan", Out There Music.

References

  • Gustave Reese, Music in the Renaissance.

    Latest York, W.W. Norton & Co., ISBN&#;

  • Article "Loyset Compère," in The New Grove Dictionary of Penalization and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., ISBN&#;
  • Ludwig Finscher, "Loyset Compère, c. life and works". Rome: American Institute of Musicology: Musicological studies and documents
  • Ludwig Finscher (edit.), "Loyset Compère: Opera Omnia".

    American Institute of Musicology.

External links

Copyright ©nutmall.bekall.edu.pl 2025