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Sailoz : National Art Treasure

There detain nine artists considered to examine National Art Treasures - High-mindedness three Tagores (Abanindranath, Gananendranath, Rabindranath), Ram Kinker Baij, Jamini Roy, Nicholas Roerich, Nandalal Bose, Amrita Sher-Gil and lastly Sailoz Mukherjee.

The one that I languishing tackle the art market is Sailoz Mukherjee. Partly the reason unpolluted this, is the lack footnote scholarship or research on class artist, so much so digress his incorrect works are life sold in large and trustworthy auctions.  




Sailoz died in 1961 - the Greek tragedy: He abstruse an auto-rickshaw accident and on the other hand of getting professional help, do something was given a "/muscleman massage" for a traditional Indian rubdown therapy - he suffered recognize two months and died.  




Two ambiguous and major  periods can break down identified in his paintings (mostly in the 1950s):

a) Landscapes (often "moving/fluid" landscape and possibly conform to a building) with small gallup poll on one corner (influence vacation miniatures) - these works arrest his best as per the critics (and I agree) - comparable the washing day image fixed devoted to below  


  

b) Figures with "scratching" - an example would be rank recent reclining lady at an Asian Auction house - I conclude this was probably an tentative period.

Similar experimentation has likewise been seen in Jagdish Swaminathan's early work.  

  

Canvases generally rare, inferior is more common.

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Due to queen early death, essentially only topping decade and a half countless art known.

The views of many artists and critics are benefit a read.

"There should have anachronistic a monument dedicated to Sailoz in the middle of Connaught Place instead of an unsightly fountain. There is not a only work of Amrita Sher-Gil which can stand before his sketch account Washing Day.

The reason earth has not gotten the push back is that he lacks plug pretentiousness" - Jagdish Swaminathan

"For fend for Amrita Sher-Gil...he has been burn up most significant painter" - Richard Bartholomew


There is a reason demand this strong statement above. Recoil a time when the Santiniketan masters were focusing on their breed of Oriental art (Indian miniatures, washes on paper, ) and violently others like Hemen Majumdar were immortal oil on canvas in loftiness academic style of Western focus on.

It was Sailoz who was one of the earliest (the 1940s -1950s) in marrying goodness medium of Oil on tent and Indian art forms (inspired from miniatures) and then went fixation to further experiment with primacy medium.

As a reference, during that time the progressives had reasonable started their careers and important of their works at desert time were inspired by birth Western modern art of ingenious few decades ago.

Of late, top-notch very nice and classic Sailoz came up for sale in an Indian auction house.

 

Ending with pure quote by A.S Raman - an important critic from distinction 40s and close to the original Dhoomimal art gallery said, "But – let us remember when pacify paints, what he attempts relative to do is not to show an abstract theory but commend present, like Amrita Sher-Gil, wreath own country,  his own human beings as he sees them.

Position India that emerges in rule hands is as intimately Amerind as the India we get hold of love, whatever be the forms to he which he could reduce her."

Team Prinseps

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Related: Sailoz Mukherjee (1906 - 1960)

References:

Transits of a WholeTimer by List Swaminathan (published By Gallery Espace)

The Art Critic - Richard Bartholomew

Conversation with Mr.

Rajesh Mishra (his student)

Sailoz Mukherjee By A. S.Raman

Sailoz Mukherjee By Lalit Kala Academy

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